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Book Details:

Pages:155 pages
Size:2.30 MB
License:Pending review


Opticks is a book by English natural philosopher Isaac Newton that was published in English in 1704. (A scholarly Latin translation appeared in 1706.) The book analyzes the fundamental nature of light by means of the refraction of light with prisms and lenses, the diffraction of light by closely spaced sheets of glass, and the behaviour of color mixtures with spectral lights or pigment powders. It is considered one of the great works of science in history. Opticks was Newton's second major book on physical science.

The publication of Opticks represented a major contribution to science, different from but in some ways rivalling the Principia. Opticks is largely a record of experiments and the deductions made from them, covering a wide range of topics in what was later to be known as physical optics. That is, this work is not a geometric discussion of catoptrics or dioptrics, the traditional subjects of reflection of light by mirrors of different shapes and the exploration of how light is "bent" as it passes from one medium, such as air, into another, such as water or glass. Rather, the Opticks is a study of the nature of light and colour and the various phenomena of diffraction, which Newton called the "inflexion" of light.

In this book Newton sets forth in full his experiments, first reported to the Royal Society of London in 1672, on dispersion, or the separation of light into a spectrum of its component colours. He demonstrates how the appearance of color arises from selective absorption, reflection, or transmission of the various component parts of the incident light.

The major significance of Newton's work is that it overturned the dogma, attributed to Aristotle or Theophrastus and accepted by scholars in Newton's time, that "pure" light (such as the light attributed to the Sun) is fundamentally white or colourless, and is altered into color by mixture with darkness caused by interactions with matter. Newton showed just the opposite was true: light is composed of different spectral hues (he describes seven — red, orange, yellow, green, blue, indigo and violet), and all colours, including white, are formed by various mixtures of these hues. He demonstrates that color arises from a physical property of light — each hue is refracted at a characteristic angle by a prism or lens — but he clearly states that color is a sensation within the mind and not an inherent property of material objects or of light itself. For example, he demonstrates that a red violet (magenta) color can be mixed by overlapping the red and violet ends of two spectra, although this color does not appear in the spectrum and therefore is not a "color of light". By connecting the red and violet ends of the spectrum, he organised all colours as a color circle that both quantitatively predicts color mixtures and qualitatively describes the perceived similarity among hues.




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